Art's reviews have or will appear in The Believer, Salon, Los Angeles Review of Books, Kenyon Review, and Book and Film Globe, among many others. Click the links below for examples of his work.

Review: That Old Country Music by Kevin Barry

Review: Grasp by Sanjay Sarma

Review: The Happily Ever After by Avi Steinberg and Uncanny Valley by Anna Wiener

Review: Brown Album by Porochista Khakpour

Review: Twilight of Democracy by Anne Applebaum and Unrigged by David Daley 

Review: Inheritors by Asako Serizawa

Review: Utopia Avenue by David Mitchell and Between the Records by Julian Tepper

Review: Pizza Girl by Jean Kyoung Frazier and Lawn Boy by Jonathan Evison

Review: Good Citizens Need Not Fear by Maria Reva

Review: Body Double by Emily Beyda

Review: The Velvet Rope Economy by Nelson D. Schwartz

Review: Zed by Joanna Kavenna

Review: Sandworm by Andy Greenberg

Review: The King of Good Intentions II by John Andrew Fredrick

Review: The Innocents by Michael Crummey

Review: Parisian Lives by Deirdre Bair

Review: Night Boat to Tangier by Kevin Barry

Review: The Warlow Experiment by Alix Nathan

Review: Summerlings by Lisa Howorth

Review: Destroy All Monsters by Jeff Jackson

Review: The Nickel Boys by Colson Whitehead

Review: Daisy Jones & the Six by Taylor Jenkins Reid

Review: The Ministry of Truth by Dorian Lynskey

Review: The Personality Brokers by Merve Emre

Review: What if this were Enough? by Heather Havrilesky

Review: The Melody by Jim Crace

​Review: My Sister, the Serial Killer by Oyinkan Braithwaite

Review: The Shakespeare Requirement by Julie Schumacher

Review: The Glitch by Elisabeth Cohan and Lord of California by Andrew Valencia

Review: This is Memorial Device by David Keenan

Review: The Selfishness of Others by Kristen Dombek

​Review: Surfing with Sartre by Aaron James

Review: The King of Good Intentions by John Andrew Fredrick

Review: The End of my Career by Martha Grover

Review: Things that Happened before the Earthquake by Chiara Barzini

Review: Spent Saints by Brian Jabas Smith

Review: Every Anxious Wave by Mo Daviau

Review: The Grand Tour by Adam O'Fallon Price

Review: Origins of the Universe and What It All Means by Carole Firstman

Review: Beatlebone by Kevin Barry

Review: Vexation Lullaby by Justin Tussing

Review: The Telling by Zoe Zolbrod

Review: Landfall by Ellen Urbani

Review: King of the Worlds by M. Thomas Gammarino

Review: Liar by Rob Roberge

Review: Meaty by Samantha Irby

Review: Big in Japan by M. Thomas Gammarino

Review: The Suicide of Claire Bishop by Carmiel Banasky

Review: Five Rock Novels of 2014: D'Erasmo, Doyle, Smith, Yardumian, Costello

Review: Gun, Needle, Spoon by Patrick O'Neil

Review/Essay: The Pot Calling the Kettle Narcissistic: The Lives and Works of John Updike and David Foster Wallace

Review: See a Little Light by Bob Mould with Michael Azerrad

Review: Partial List of People to Bleach by Gary Lutz

Review/Essay: Isn't It Narcissistic? A Review of James Masterson's The Narcissistic and Borderline Personality Disorders

Review: Wise Young Fool by Sean Beaudoin

Review: The Cost of Living by Rob Roberge

Review/Essay: All Novelists Should Read Robert McKee

Review/Essay: David Foster Wallace was Wrong: Why John Updike Mattered and Always Will

Review: Boarded Windows by Dylan Hicks

Review: Damascus by Joshua Mohr

Review: Ten Thousand Saints by Eleanor Henderson

Review: There is Something Inside, It Wants to Get Out by Madeline McDonnell

Review: Stone Arabia by Dana Spiotta

Review: The Last Book I Loved: Infinite Jest

Art's Complete The Nervous Breakdown Archive

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