Art's reviews have or will appear in The Believer, Salon, Los Angeles Review of Books, Kenyon Review, and Book and Film Globe, among many others. Click the links below for examples of his work.
Review: Harlem Shuffle by Colson Whitehead
Review: The Women of Troy by Pat Barker
Review: God, Human, Animal, Machine by Meghan O’Gieblyn
Review: Mine! by Michael Heller and James Salzman
Review: Cheated! by Andy Martino
Review: That Old Country Music by Kevin Barry
Review: Grasp by Sanjay Sarma
Review: The Happily Ever After by Avi Steinberg and Uncanny Valley by Anna Wiener
Review: Brown Album by Porochista Khakpour
Review: Twilight of Democracy by Anne Applebaum and Unrigged by David Daley
Review: Inheritors by Asako Serizawa
Review: Utopia Avenue by David Mitchell and Between the Records by Julian Tepper
Review: Pizza Girl by Jean Kyoung Frazier and Lawn Boy by Jonathan Evison
Review: Good Citizens Need Not Fear by Maria Reva
Review: Body Double by Emily Beyda
Review: The Velvet Rope Economy by Nelson D. Schwartz
Review: Zed by Joanna Kavenna
Review: Sandworm by Andy Greenberg
Review: The King of Good Intentions II by John Andrew Fredrick
Review: The Innocents by Michael Crummey
Review: Parisian Lives by Deirdre Bair
Review: Night Boat to Tangier by Kevin Barry
Review: The Warlow Experiment by Alix Nathan
Review: Summerlings by Lisa Howorth
Review: Destroy All Monsters by Jeff Jackson
Review: The Nickel Boys by Colson Whitehead
Review: Daisy Jones & the Six by Taylor Jenkins Reid
Review: The Ministry of Truth by Dorian Lynskey
Review: The Personality Brokers by Merve Emre
Review: What if this were Enough? by Heather Havrilesky
Review: The Melody by Jim Crace
Review: My Sister, the Serial Killer by Oyinkan Braithwaite
Review: The Shakespeare Requirement by Julie Schumacher
Review: The Glitch by Elisabeth Cohan and Lord of California by Andrew Valencia
Review: This is Memorial Device by David Keenan
Review: The Selfishness of Others by Kristen Dombek
Review: Surfing with Sartre by Aaron James
Review: The King of Good Intentions by John Andrew Fredrick
Review: The End of my Career by Martha Grover
Review: Things that Happened before the Earthquake by Chiara Barzini
Review: Spent Saints by Brian Jabas Smith
Review: Every Anxious Wave by Mo Daviau
Review: The Grand Tour by Adam O'Fallon Price
Review: Origins of the Universe and What It All Means by Carole Firstman
Review: Beatlebone by Kevin Barry
Review: Vexation Lullaby by Justin Tussing
Review: The Telling by Zoe Zolbrod
Review: Landfall by Ellen Urbani
Review: King of the Worlds by M. Thomas Gammarino
Review: Liar by Rob Roberge
Review: Meaty by Samantha Irby
Review: Big in Japan by M. Thomas Gammarino
Review: The Suicide of Claire Bishop by Carmiel Banasky
Review: Five Rock Novels of 2014: D'Erasmo, Doyle, Smith, Yardumian, Costello
Review: Gun, Needle, Spoon by Patrick O'Neil
Review/Essay: The Pot Calling the Kettle Narcissistic: The Lives and Works of John Updike and David Foster Wallace
Review: See a Little Light by Bob Mould with Michael Azerrad
Review: Partial List of People to Bleach by Gary Lutz
Review/Essay: Isn't It Narcissistic? A Review of James Masterson's The Narcissistic and Borderline Personality Disorders
Review: Wise Young Fool by Sean Beaudoin
Review: The Cost of Living by Rob Roberge
Review/Essay: All Novelists Should Read Robert McKee
Review/Essay: David Foster Wallace was Wrong: Why John Updike Mattered and Always Will
Review: Boarded Windows by Dylan Hicks
Review: Damascus by Joshua Mohr
Review: Ten Thousand Saints by Eleanor Henderson
Review: There is Something Inside, It Wants to Get Out by Madeline McDonnell
Review: Stone Arabia by Dana Spiotta
Review: The Last Book I Loved: Infinite Jest
Art's Complete The Nervous Breakdown Archive
Review: Harlem Shuffle by Colson Whitehead
Review: The Women of Troy by Pat Barker
Review: God, Human, Animal, Machine by Meghan O’Gieblyn
Review: Mine! by Michael Heller and James Salzman
Review: Cheated! by Andy Martino
Review: That Old Country Music by Kevin Barry
Review: Grasp by Sanjay Sarma
Review: The Happily Ever After by Avi Steinberg and Uncanny Valley by Anna Wiener
Review: Brown Album by Porochista Khakpour
Review: Twilight of Democracy by Anne Applebaum and Unrigged by David Daley
Review: Inheritors by Asako Serizawa
Review: Utopia Avenue by David Mitchell and Between the Records by Julian Tepper
Review: Pizza Girl by Jean Kyoung Frazier and Lawn Boy by Jonathan Evison
Review: Good Citizens Need Not Fear by Maria Reva
Review: Body Double by Emily Beyda
Review: The Velvet Rope Economy by Nelson D. Schwartz
Review: Zed by Joanna Kavenna
Review: Sandworm by Andy Greenberg
Review: The King of Good Intentions II by John Andrew Fredrick
Review: The Innocents by Michael Crummey
Review: Parisian Lives by Deirdre Bair
Review: Night Boat to Tangier by Kevin Barry
Review: The Warlow Experiment by Alix Nathan
Review: Summerlings by Lisa Howorth
Review: Destroy All Monsters by Jeff Jackson
Review: The Nickel Boys by Colson Whitehead
Review: Daisy Jones & the Six by Taylor Jenkins Reid
Review: The Ministry of Truth by Dorian Lynskey
Review: The Personality Brokers by Merve Emre
Review: What if this were Enough? by Heather Havrilesky
Review: The Melody by Jim Crace
Review: My Sister, the Serial Killer by Oyinkan Braithwaite
Review: The Shakespeare Requirement by Julie Schumacher
Review: The Glitch by Elisabeth Cohan and Lord of California by Andrew Valencia
Review: This is Memorial Device by David Keenan
Review: The Selfishness of Others by Kristen Dombek
Review: Surfing with Sartre by Aaron James
Review: The King of Good Intentions by John Andrew Fredrick
Review: The End of my Career by Martha Grover
Review: Things that Happened before the Earthquake by Chiara Barzini
Review: Spent Saints by Brian Jabas Smith
Review: Every Anxious Wave by Mo Daviau
Review: The Grand Tour by Adam O'Fallon Price
Review: Origins of the Universe and What It All Means by Carole Firstman
Review: Beatlebone by Kevin Barry
Review: Vexation Lullaby by Justin Tussing
Review: The Telling by Zoe Zolbrod
Review: Landfall by Ellen Urbani
Review: King of the Worlds by M. Thomas Gammarino
Review: Liar by Rob Roberge
Review: Meaty by Samantha Irby
Review: Big in Japan by M. Thomas Gammarino
Review: The Suicide of Claire Bishop by Carmiel Banasky
Review: Five Rock Novels of 2014: D'Erasmo, Doyle, Smith, Yardumian, Costello
Review: Gun, Needle, Spoon by Patrick O'Neil
Review/Essay: The Pot Calling the Kettle Narcissistic: The Lives and Works of John Updike and David Foster Wallace
Review: See a Little Light by Bob Mould with Michael Azerrad
Review: Partial List of People to Bleach by Gary Lutz
Review/Essay: Isn't It Narcissistic? A Review of James Masterson's The Narcissistic and Borderline Personality Disorders
Review: Wise Young Fool by Sean Beaudoin
Review: The Cost of Living by Rob Roberge
Review/Essay: All Novelists Should Read Robert McKee
Review/Essay: David Foster Wallace was Wrong: Why John Updike Mattered and Always Will
Review: Boarded Windows by Dylan Hicks
Review: Damascus by Joshua Mohr
Review: Ten Thousand Saints by Eleanor Henderson
Review: There is Something Inside, It Wants to Get Out by Madeline McDonnell
Review: Stone Arabia by Dana Spiotta
Review: The Last Book I Loved: Infinite Jest
Art's Complete The Nervous Breakdown Archive