
Art's reviews have or will appear in The Believer, Salon, Los Angeles Review of Books, Kenyon Review, and Book and Film Globe, among many others. Click the links below for examples of his work.
Review: Sonic Life by Thurston Moore
Review: Tracers in the Dark by Andy Greenberg
Audio Interview: All the Secrets of the World by Steve Almond
Audio Interview: When We Were Birds Ayanna Lloyd Banwo
Review: Harlem Shuffle by Colson Whitehead
Review: The Women of Troy by Pat Barker
Review: God, Human, Animal, Machine by Meghan O’Gieblyn
Review: Mine! by Michael Heller and James Salzman
Review: Cheated! by Andy Martino
Review: That Old Country Music by Kevin Barry
Review: Grasp by Sanjay Sarma
Review: The Happily Ever After by Avi Steinberg and Uncanny Valley by Anna Wiener
Review: Brown Album by Porochista Khakpour
Review: Twilight of Democracy by Anne Applebaum and Unrigged by David Daley
Review: Inheritors by Asako Serizawa
Review: Utopia Avenue by David Mitchell and Between the Records by Julian Tepper
Review: Pizza Girl by Jean Kyoung Frazier and Lawn Boy by Jonathan Evison
Review: Good Citizens Need Not Fear by Maria Reva
Review: Body Double by Emily Beyda
Review: The Velvet Rope Economy by Nelson D. Schwartz
Review: Zed by Joanna Kavenna
Review: Sandworm by Andy Greenberg
Review: The King of Good Intentions II by John Andrew Fredrick
Review: The Innocents by Michael Crummey
Review: Parisian Lives by Deirdre Bair
Review: Night Boat to Tangier by Kevin Barry
Review: The Warlow Experiment by Alix Nathan
Review: The Nickel Boys by Colson Whitehead
Review: Daisy Jones & the Six by Taylor Jenkins Reid
Review: The Ministry of Truth by Dorian Lynskey
Review: The Personality Brokers by Merve Emre
Review: What if this were Enough? by Heather Havrilesky
Review: The Melody by Jim Crace
Review: My Sister, the Serial Killer by Oyinkan Braithwaite
Review: The Shakespeare Requirement by Julie Schumacher
Review: This is Memorial Device by David Keenan
Review: The Selfishness of Others by Kristen Dombek
Review: Surfing with Sartre by Aaron James
Review: The King of Good Intentions by John Andrew Fredrick
Review: The End of my Career by Martha Grover
Review: Things that Happened before the Earthquake by Chiara Barzini
Review: The Grand Tour by Adam O'Fallon Price
Review: Origins of the Universe and What It All Means by Carole Firstman
Review: The Telling by Zoe Zolbrod
Review: Landfall by Ellen Urbani
Review: King of the Worlds by M. Thomas Gammarino
Review: Liar by Rob Roberge
Review: Big in Japan by M. Thomas Gammarino
Review: The Suicide of Claire Bishop by Carmiel Banasky
Review: Five Rock Novels of 2014: D'Erasmo, Doyle, Smith, Yardumian, Costello
Review: See a Little Light by Bob Mould with Michael Azerrad
Review: Wise Young Fool by Sean Beaudoin
Review/Essay: All Novelists Should Read Robert McKee
Review: Stone Arabia by Dana Spiotta
Review: The Last Book I Loved: Infinite Jest
Review: Sonic Life by Thurston Moore
Review: Tracers in the Dark by Andy Greenberg
Audio Interview: All the Secrets of the World by Steve Almond
Audio Interview: When We Were Birds Ayanna Lloyd Banwo
Review: Harlem Shuffle by Colson Whitehead
Review: The Women of Troy by Pat Barker
Review: God, Human, Animal, Machine by Meghan O’Gieblyn
Review: Mine! by Michael Heller and James Salzman
Review: Cheated! by Andy Martino
Review: That Old Country Music by Kevin Barry
Review: Grasp by Sanjay Sarma
Review: The Happily Ever After by Avi Steinberg and Uncanny Valley by Anna Wiener
Review: Brown Album by Porochista Khakpour
Review: Twilight of Democracy by Anne Applebaum and Unrigged by David Daley
Review: Inheritors by Asako Serizawa
Review: Utopia Avenue by David Mitchell and Between the Records by Julian Tepper
Review: Pizza Girl by Jean Kyoung Frazier and Lawn Boy by Jonathan Evison
Review: Good Citizens Need Not Fear by Maria Reva
Review: Body Double by Emily Beyda
Review: The Velvet Rope Economy by Nelson D. Schwartz
Review: Zed by Joanna Kavenna
Review: Sandworm by Andy Greenberg
Review: The King of Good Intentions II by John Andrew Fredrick
Review: The Innocents by Michael Crummey
Review: Parisian Lives by Deirdre Bair
Review: Night Boat to Tangier by Kevin Barry
Review: The Warlow Experiment by Alix Nathan
Review: The Nickel Boys by Colson Whitehead
Review: Daisy Jones & the Six by Taylor Jenkins Reid
Review: The Ministry of Truth by Dorian Lynskey
Review: The Personality Brokers by Merve Emre
Review: What if this were Enough? by Heather Havrilesky
Review: The Melody by Jim Crace
Review: My Sister, the Serial Killer by Oyinkan Braithwaite
Review: The Shakespeare Requirement by Julie Schumacher
Review: This is Memorial Device by David Keenan
Review: The Selfishness of Others by Kristen Dombek
Review: Surfing with Sartre by Aaron James
Review: The King of Good Intentions by John Andrew Fredrick
Review: The End of my Career by Martha Grover
Review: Things that Happened before the Earthquake by Chiara Barzini
Review: The Grand Tour by Adam O'Fallon Price
Review: Origins of the Universe and What It All Means by Carole Firstman
Review: The Telling by Zoe Zolbrod
Review: Landfall by Ellen Urbani
Review: King of the Worlds by M. Thomas Gammarino
Review: Liar by Rob Roberge
Review: Big in Japan by M. Thomas Gammarino
Review: The Suicide of Claire Bishop by Carmiel Banasky
Review: Five Rock Novels of 2014: D'Erasmo, Doyle, Smith, Yardumian, Costello
Review: See a Little Light by Bob Mould with Michael Azerrad
Review: Wise Young Fool by Sean Beaudoin
Review/Essay: All Novelists Should Read Robert McKee
Review: Stone Arabia by Dana Spiotta
Review: The Last Book I Loved: Infinite Jest